Ebolin's are usually pretty affordable too (anywhere from 70-150 on ebay). The effect of mouthpiece materials on tone of the saxophone has been the … Meyer’s new G takes tradition a step further with chamber and tip openings that allow today’s musicians to recreate the sounds made famous by saxophonists of the past, such as Paul Desmond. the old selmer metal jazz is the ticket to sound like desmond, runyon mouthpeices-no need to look elsewhere. Paul Desmond's contributions are echoed by sax players today, and Claude Lakey is proud to say our mouthpiece helped this jazz giant achieve his signature tone. Paul Desmond 1953 Selmer SBA Alto Saxophone 99% Original Lacquer, PLUS 1930's Gregory 4A 18 $ 0 For sale is a Paul Desmond setup in stunning original condition: 1953 51,xxx Selmer SBA alto sax with 99+% original lacquer plus a 1930's Gregory 4A 18, the same model mouthpiece that Paul Desmond played on. Read more. The black line represents the average grading disparity: the bigger it is, the more controversy there is about the tone. I know using similar gear to Desmond won’t make anyone sound like him, but I want to pursue a similar dark, airy, reserved tone on my alto. saxophone. tip opening. Here is a full melody and solo transcription for alto saxophone on the beautiful tune "Wendy", written and performed by Paul Desmond. I believe it was this mouthpiece design along with using a harder reed that facilitated producing the concept of tone Paul Desmond sought to achieve in his playing. (Listen to Take Five by Paul Desmond and Dave Brubeck as an example). As you can see in the photo, it has a nice round chamber opening, not unlike the Selmer Larry Teal mouthpiece I had years ago and wish I hadn't sold to a student. I use my s90 to perform blue rondo ala turk, New comments cannot be posted and votes cannot be cast, More posts from the Saxophonics community. There were thousands made after this, so this came earlier on when there were alot of attention and hand facings being given to each and every mouthpiece! The subject heading above makes this question sound more esoteric that it is, but give it a chance. I agree that there is more reed than Paul Desmond, but he has a marvelous sweet sound. I know he played a Gregory Model A, but those aren’t exactly easy to find nowadays, so my question for you guys is what other mouthpieces might offer a similar sound? For a better experience, please enable JavaScript in your browser before proceeding. I think I remember reading that Desmond played a Brilhart at one point later in his career. He gave me this life-altering (at least to a budding saxophonist) advice. I use a Daddario Jazz Select 5 and I can get a similar sound. I was actually considering that! mouthpiece. That is very nice. The Dave Brubeck Quartet (l. to r. Paul Desmond, Dave Brubeck, Joe Morello, Eugene Wright) Paul Desmond was not just known for his music, but also for his dry wit and sense of humor and clever use of puns. In addition to the standard Ebonite Meyer, the company also now has the ‘G’ series, which aims to provide a cooler, darker, more mellow sound inspired by the likes of Paul Desmond. My usual caveat with the chord changes on this chart – it’s especially complex, and chords are not my strong suit, so fair warning on the accuracy! You do have to reshape the oral cavity when playing high to keep the tone from becoming harsh or edgy in that style. Paul Desmond (November 25, 1924 – May 30, 1977), born Paul Emil Breitenfeld, was a jazz alto saxophonist and composer born in San Francisco, best known for the work he did in the Dave Brubeck Quartet and for penning that group's greatest hit, "Take Five". In fact, the only alto players I've seen playing metal mouthpieces all have a bright edgy sound. This is the first generation first production MC Gregory mouthpiece the Model A which is more desirable. JavaScript is disabled. When asked … I’d like to finish all the transcriptions on this album someday soon, they are all so beautiful! Recently, Delrin has been added to the stock of mouthpiece materials. Not that it's impossible though, as it's a darker metal piece. Categories. Press J to jump to the feed. Paul Desmond's main mouthpiece was a Model A 4A 18. This is a 3 digit extremely early serial number! Hope you can understand it. At intermission, I found them backstage and got to ask him a couple of geeky questions. Meyer G Alto Saxophone Mouthpiece Throughout jazz … I've never seen an alto player with a dark sound play a metal mouthpiece. Some very minor tooth wear on the beak (hard to see) and a few very small nicks on the tip and rails […] alto • desmond • free • gregory • model • mouthpiece • paul • shippin. This mouthpiece is a #18 on the right side, that … reed. In addition to his work with Brubeck, he led several groups and collaborated with … It just hasn't been a priority. Some very minor tooth wear on the beak (hard to see) and a few very small nicks on the tip and rails but overall the Tip table and rails are in very good shape. Fwiw, just try to practice playing like that with your current mouthpiece. saxophone. Selmer Super Balanced Action 1948 . Gregory hard rubber mouthpiece. Jazz music is constantly building upon and celebrating the legacy of those who brought it from its humble American beginnings to one of the most influential art forms of the last 100 years. MC Gregory 4A 18 Model A Alto Sax Mouthpiece just like Paul Desmond the Legendary sax man with Dave Brubeck. For its 100th anniversary Meyer has also reintroduced the NY model, a modern tribute to the golden era of Meyer Bros mouthpieces, which is slightly more expensive than the brand’s other products. Known to have possessed an idiosyncratic wit, he was one of the most popular musicians to come out of the West Coast's "cool jazz" scene. The sounds and styles of these greats inspired the creation of this mouthpiece. This piece, made by hand by Phil Engleman of Phil-Tone Custom Woodwinds is modeled on the M.C. A forum community dedicated to saxophone players and enthusiasts bought to you by Harri Rautiainen. Pete Thomas once said that both Desmond and Getz play with a "subtone" in the upper register, which is a concept that I like. Generally, the average disparity is relatively even even if Kenny Garrett and Sonny Rollins seem to … As you can tell from my avatar, I am a fan of Paul Desmond.
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